Saturday, 19 August 2017

Smoking

At ten to nine on a Saturday morning, the works phone goes. By the time we have clattered downstairs to catch it, whoever it was has rung off.
     Interested to see who had rung us at that time on a Saturday, I did dial back - the thing where you type in 1471 and it tells you the number of whoever rang you last - and rang the number given.
     'Hello, I'm Chris from Raven, did you want me?' I ask
     'No-one has rung you from here,' says the man on the other end.
     'Erm, yes they have,' I say, 'Because I've just done dial back.'
     A lady obviously takes the phone off him and says, 'Do you do smokeless incense sticks?'
    'No sorry,' I say, 'The whole point of incense sticks is that they give off smoke.'

     There are some times when you know that it is a waste of time detailing the alternate options available, and this was one of those. So we ended the conversation pleasantly, and I went back to checking out a catalogue from one of our suppliers.
    Incense and perfume both come from words which mean 'fragranced smoke', so by their very nature, they are smoke. But smoke which is used for its aroma.
     However these days there are alternatives, and one of the best is to use a perfume burner. These do not (or should not) actually burn the perfume, they create a fragrant steam which carries the perfume molecules into the air. You put water into the top recess of the burner, add a few drops of perfumed oil and light the candle beneath it. The candle flame warms the water which evaporates and carries the perfume into the air.
     I make a lot of magical oils, which can be used for personal perfume, to anoint candles for spell work, used in your bath (only a few drops at a time) or used in oil burners too. This is a very pure way of experiencing the perfume, and is a lovely way of filling your ritual area with an aroma which can enhance your ritual or spell work.
     Also the incense and particularly incense sticks, can often smell very different when burnt, to how it smells in the packet. Perfumed oils smell the same, but the warmth enhances their fragrance.


This is my favourite oil burner, which we bought from our friends at Zoo Ceramics at Waddington in Lincolnshire.

     There is also a huge variety of perfumed oils, from single fragrances, to the magical blends I make. Our most popular are Kyphi, based on recipes found carved into the walls of temples in ancient Egypt, Ruthvah which was created by Aleister Crowley, and blends such as Lucky Master, Come To Me, Aphrodite and Van Van.
      And there are literally thousands of others!

Monday, 14 August 2017

Making Orgonite

Orgonite is a fab material made from inorganic and organic materials according to the principles of Wilhelm Reich.
     You can find some beautiful examples of this these days, and we have been stocking large and small Orgonite pyramids and other items such as pendulums and angels - when we can find them.
They are usually composed of tiny polished gemstone chips, plus crystals, metal in the form of wires and filings, all set in a clear resin - the resin being derived from petrol is the 'organic' element.
     My daughter in law has been creating some lovely pendants and needle minders, which have a clear resin protective surface, selling them through her online 'shop' Denkai Designs. So when I told her about Orgonite, and that I would love to have a go at making some, volunteered to help me, as she has experience of working with the resin and creating moulds for pendants.
     So on Sunday, Cherise arrived with all her equipment for us to have a go.
     First we had to make the mould, by mixing together two lumps of a plasticine-like stuff. We wrapped this around some glass shapes, which I thought would look nice for the finished objects, then had to wait for this to harden into sturdy but flexible moulds, and could pop out the original glass shapes.
     I had already made some tiny metal charms, one for Venus, one for Jupiter and a tiny interlocked wire pentacle. These would create three special Orgonite shapes which would make use both of the Orgonite energies and combine them with magical correspondences.
     The square shape I had decided would be dedicated to the energies of Jupiter and used to create a wealth drawing object. The heart shaped one was obviously going to be just right for Venus, and the third Crescent shape would embody the powers of the Moon Goddess.
     To be sure that none of the contents would poke through the surface, we first had to create a thin layer of resin all around the inside of the moulds, which would have to be at least partially set before I added anything else.
     One thing I am not good at, as anyone who knows me is probably aware, is patience.
     Many years ago, it was possible to buy a tee shirt showing two vultures sitting on a branch and one saying to the other 'Patience, my ass, I'm gonna kill something!'
     That would probably suit me. So the 'waiting while it sets' part of these processes, was not going well. I spent my time gently moving the resin around so that it built up the layer around the inside of the mould, and eventually Cherise agreed that now I could start doing the fun bit!
     The first thing into each mould were the appropriate little metal charms I had made. This was followed by tiny gemstone chips chosen because they were associated with each of the planetary powers. So in the Jupiter one went lapis, sodalite and amethyst, together with some pretty glitter. The Venus one had peridot and rose quartz, and the Moon one clear quartz - I should probably have used little pieces of selenite for this one.
     When I felt there was enough in each, the moulds were topped up with more of the clear resin to hold everything in place.
     Cherise then gently blew on the surface of each to disperse any little bubbles, and told us to cover the moulds and put them somewhere to stand while they set over the next few days.
     Heck! More waiting!
     After three or four days, the great un-moulding took place.
    I was really excited as the backs of the shapes looked really good and crystal clear.
     But saddly, the fronts weren't nearly as good. It looked like a layer of tiny bubbles had coated the moulds. so that when the shapes were revealed, the surface is both pitted and semi-opaque. Like the effect of a frosted window.


     Weirdly these look better in the photo than they do in real life.
     I have learnt several things from this: the moulds were too deep. I suspect that what I should have done is be prepared to put another thin layer of resin over the outer surface once they were set.
     The process of making these was fun. And I really don't have the patience for this.





Thursday, 10 August 2017

The Golden Grain

As promised, here is an extract from our latest Raven Newsletter, for those folk who miss out on its full magnificence:

     All over the world we grow grain.
     Grains of different varieties are the staple food of millions of people, and have been for thousands of years, and it seems that all over the world, at roughly the same time, people began to attempt to cultivate different grains. This all seems to have happened around ten thousand years ago.
     In Syria or southern Turkey wheat and barley began to be farmed, in the East it was rice, and in southern Mexico maize became domesticated. Archaeologists have worked out that the most ancient crops grown around the Mediterranean were wheat, barley, lentils, peas and chickpeas, plus flax grown both for its seeds and for its use in textiles.
     Oats appear to have been a later addition to the domesticated grain family, but they do grow better in damper and cooler climates such as the British Isles. Oats can be planted in the autumn and over wintered as they are unaffected by frost and snow, but don't like to be too warm.
     These days it is wheat which is the main grain used to make our daily bread, so much of the lore and magic which once belonged to other grains, has been attached to wheat. But it is interesting to see how similar stories crop up of a special spirit or deity who comes to show humans how to grow the grain.
     In ancient Egypt the grain god was Osiris, who is killed by his brother, but magically brought back to life by Isis, so that she can conceive a child by him. In Egypt little clay trays in the shape of the silhouette of Osiris were filled with earth and planted with grains to be placed in the graves of loved ones. The sprouting of the grain gives the hope of resurrection. If the grain can have its head cut off and be killed, yet magically appear again in the spring, then we also have the possibility of re-birth in another life. The Egyptians believed that this was re-birth in the land of the dead, where people would carry on in a very similar way to their lives on earth.
     But in the land of the dead, even the poorest people could live like lords, with servants to carry out their work for them.
    When people were buried they were often given possessions to take with them into the afterlife. In Egypt this often included little models of workers, known as Ushabti. To the Egyptians when any image had its eyes painted in, that was when the image came alive. This applied to images and statues of the gods, to images of the deceased, and to the little Ushabti models too. There were similar rituals which could be used to ensure this awakening also, and these are detailed in the papri found in the tombs of the dead and known to us as The Book of the Dead.
     As it was the god Anubis who performed this ritual for the gods, he was invoked to help do the same for the dead and for the Ushabti:
Anubis grant thou that breathing may take place in the head of [name], 
and that s/he may see with her/his two eyes and hear with her/his two ears, 
and that s/he may breathe through her/his nose, 
and that her/his mouth shall be open 
and that s/he may be able to speak with her/his tongue.
May the voice of [name] be heard.




Monday, 7 August 2017

Visitors

You know how it is, you haven't blogged for a while because all has been quiet on the home front and then all of a sudden there are LOTS of things you need to put up all at the same time.
     I want to give you an extract from the last Newsletter, for folks who missed it.
     I want to tell you about my first (and possibly only, or maybe not, but I don't know yet) attempt to make my own Orgonite and incorporated magical correspondences into it.
     And then we got a pigeon in the kitchen again.

     There we were having a pre-shopping look at the computers - well a mini play of World of Warcraft if you want to get technical about it - when all of a sudden I heard the sound of flying glass objects and the crash of something hitting the floor.
     'There's something in the kitchen!' I said to Graham
     'Huh, what?' was his considered reply
     'There's something in the kitchen, go and look!'
     'I can't hear anything.'
     'Go and look!'

     So he went, he looked, he swore a bit, and then removed the pigeon from its favourite window above the sink, by throwing a t-shirt over it so it couldn't see him coming. Took the pigeon outside, put the t-shirt in the wash and replaced all the stuff it had swept out of the window.
   
     The bathroom is on the ground floor, right next to the little kitchen with the back door. And at this time of year, when I have a bath in the morning I like to have both the back door and bathroom door open, I love the fresh air - and I can kid myself that I am actually reclining in a hot tub.
     The other day as I luxuriated and read my book I glanced up to see a black and white cat passing the bathroom door. On its way out!
     So it had been visiting while Graham and the dogs were out of the way.
     So so far this year our visitors have included numerous bees of various sizes, two toads, slugs, butterflies,  a pigeon and a cat.
     I am hoping the rabbits, hedgehog and bats stay outside.